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and London (UK).[9] During his stay in the English capital Efron stated that: "when I first read the script, I thought I wouldn't be able to play the role, for several reasons: Logan is a strong man, a hero, a Marine, and a sergeant, a position that signifies great authority." For his part, Sparks, author of the novel on which the film is based, explained that: "the journey of life is a theme that has been addressed in books and movies throughout history and continues to be reused over and over again. For Beth and Logan, it's a journey toward recovery."[10]

Released in 3,155 U.S. theaters, it debuted in second place with $22 million, with a per-theater average of $7,137, ahead of The Hunger Games and behind Think Like a Man.[15] It has grossed $60 million in the U.S.[1] Adding international grosses brings the figure to $90 million. The estimated budget invested in the production was $25 million.[1] The estimated budget invested in the production was $25 million.[1] The estimated budget invested in the production was $25 million.

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The big doubt I had regarding 'Johnny English: Back in Action' was to see how the formula worked when we had already had the opportunity to try a different kind of James Bond parody with the 'Kingsman' saga. Obviously, the action scenes in this film do not even come close to what Matthew Vaughn "gave us", but this franchise does not play in that league either and opts for a more basic and typical humor of another era, enhancing this time the most absurd element already present in the first two installments.

This is something that, if mismanaged, could have destroyed the film at any moment, but Atkinson knows all the mechanisms of good comedy to take advantage of everything that the script by William Davies, one of the screenwriters of the first installment, puts at his disposal. Therefore, the humor of the film is based on the particular skills of its protagonist and on a more physical element that leads him both to take stumbles and to use non-verbal language somewhat exaggerated but without falling into gratuitous excess.

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La película está protagonizada por Zac Efron en el papel de Logan Thibault, un marine estadounidense que encuentra una fotografía de una joven mientras sirve en Irak, la lleva consigo como amuleto de buena suerte, y más tarde localiza a la mujer, con la que comienza una relación.

Logan Thibault (Zac Efron), un marine estadounidense que sirve en Irak, es testigo de la muerte de un marine llamado "Aces" al intentar ayudar a uno de sus hombres durante una emboscada. A la mañana siguiente, encuentra una foto de una joven en el suelo justo antes de que un ataque de mortero destruya el lugar donde había estado sentado, matando a muchos a su alrededor. Al no poder encontrar al propietario de la foto, se la queda. El compañero de pelotón de Logan declara que la mujer de la foto es su "ángel de la guarda", justo antes de que una explosión destruya su Humvee.

Logan regresa a Colorado para vivir con la familia de su hermana, que ha estado cuidando de su perro, Zeus. Sufriendo un trastorno de estrés postraumático (TEPT) y un sentimiento de culpa de superviviente, decide que lo mejor es marcharse y parte en busca de la mujer de la foto. Logan y Zeus se dirigen a Luisiana, donde el faro de la foto ha proporcionado una pista. Enseña la foto por la ciudad y un residente local le dice que la mujer solía estar casada con su amigo, un ayudante del sheriff local.

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We have been talking a lot about cultural changes. I want to ask about the cultural shifts related to the two films for which you won Oscars. Timely films, at the time, that maybe you couldn't make now.

Exactly. There's no way a straight actor would be cast in "Philadelphia" today and "Forrest Gump" would be doomed to fail. Would Gary Sinise not have been able to play Lieutenant Dan because he has legs?

That's not it. I'm sure his premise alone would mean that "Forrest Gump" would be the subject of ridicule and criticism on social media before anyone even had a chance to see it. There's nothing that can be done about it, but let's address the "could a straight man now do what I did in 'Philadelphia'?" issue. No, and rightly so. The whole point of "Philadelphia" was to be fearless. One of the reasons people weren't afraid of that movie is that I played a gay man. Now we're beyond that, and I don't think people accept the inauthenticity of a straight man playing a gay character. It's not a crime, it's not a boo boo, for someone to say that we're going to demand more from a film in the modern realm of authenticity. Does it sound like I'm preaching? I don't mean to.